Vanity Fair spellchecks Inglourious Basterds, premiering at Cannes. You could call Quentin Tarantino’s latest film one of his best as he defies Hollywood. The story is set in Nazi-occupied France. Brigitte Lacombe of Vanity occupies the set of the film, starring Brad Pitt. In the May issue you will find a n exclusive scene from Tarantino’s script. Click on the picture of Pitt to view Lacombe pictures from the set.
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With over 60 films to his name and a company that makes salad dressings and pretzels, Paul Newman is larger than life. His life in films is captured brilliantly by Vanity Fair with 16 chronological photos depicting his life outside of Hollywood.
The article by Patricia Bosworth brings up the many talents of Newman as well as a story “walk-stepping with Marilyn Monroe” during is Actor Studio days. It’s a quick read well worth the time.
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According to Vanity Fair, I am inclined to agree, these girls are the next wave of Hollywood starlets:
Amanda Seyfried in upcoming Mama Mia!
Emma Roberts starred in Nancy Drew and next is Wild Child.
Blake Lively was Bridget in Sisterhood of the Traveling Pants and reprises her role in Sisterhood of the Traveling Pants 2.
Kristen Steward played Tracy in Into the Wild will be seen in Twilight, Adventureland and What Just Happened?
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The Bond girls have changed over the course of the forty-plus years of being cunning, coy, and captivating — mostly memorable. The Vanity Fair offers an exclusive slideshow of some of the most captivating Bond girls; it quite a treat to see the different shapes and personalities.
The first Bond girl, Ursula Andreas, who started it all, might have met her match a couple of times, but you decide.
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Vanity Fair has done it again. A revealing article about Angelina Jolie by Rich Cohen. Here’s a taste of the piece and a link to the complete article: A Woman in Full Enjoy!
“When Jolie came into the Four Seasons, she looked around quickly, then crossed the floor like a pilgrim, with her head down, like someone used to being noticed, or bothered, like someone who does not feel safe. As T. S. Eliot wrote, “The roses had the look of flowers that are looked at.†She went through the lobby the way a shark goes through the ocean, quickly and smoothly. You detect her presence not by her face, which she can obscure or render ordinary in that way of celebrities, but by how people around her react—the flurry in the water. She carries herself with strange dignity, as if she were an emissary of a secret order, a messenger from a lost kingdom. You see it in every picture. Shot after shot. She’s a princess, an aristocrat. I mean, the woman knows how to be photographed, where to look, where the light comes from.”
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