foreigneralbumStephanie N. (48) is the lucky winner! 

Foreigner, one of the world’s most popular and enduring rock bands, released a new three-disc collection, including a CD album of all new music, a CD album of the band’s original hit recordings, and a DVD of the band in concert and beyond. Can’t Slow Down is the name of the album available from Rhino Entertainment, exclusively through Wal-Mart.

The title track, Can’t Slow Down, was written by Mick Jones, Kelly Hansen, and Marti Frederiksen as a tribute to NASCAR in celebration of Foreigner’s appearance at the Samsung 500 at the Texas Motor Speedway earlier this year. NASCAR fans bought so many CDs that day that Foreigner’s 2008 release No End In Sight: The Very Best Of Foreigner was propelled back into the Billboard Top 200.

The collection’s second disc contains 10 remixes by Marti Frederiksen and Anthony Focx of some of the band’s most well known songs, including “Feels Like The First Time,” “Cold As Ice,” “Urgent,” “Hot Blooded,” and “I Want To Know What Love Is.” The remixes bring a new energy and sound definition to these classic songs.

Happily, I was able to talk with Tom Gimbel, who plays rhythm guitar, keyboards, sax, and flute. Tom hits those high-notes during “Urgent” when he performs his solo with the sax. 

Tom is a very, cool upbeat guy who’s been with Foreigner for over 17 years, ‘longest band member other than the original guys.”  Tom has seen the group change and grow while still being its “vibrant force.”

I asked Tom about the remixing of the older rock songs for the second disc, and he stressed that it’s really remastering, “cleaning up the sound, so it jumps out of the speakers.” 

I couldn’t image these great-old songs jumping out of the speakers anymore than they do now, but I listened to the new sounds…yes, the songs jump out even more and sound fantastic! Even my nine-year old daughter loves their music.

Tom and I talked a little bit about Foreigner’s music being played in movies, of course, we knew it had been done, but couldn’t name any movies until my daughter mentioned “I Want to Know What Love Is” plays on Alvin and the Chipmunks Squeakquel teaser trailer.  Then…yes of course.

What was life like for this rock and roll star growing up? Tom got his ear for music by listening to Broadway show tunes instead of watching television. He’s mother would take a big stack of LPs, place them on the console to play and all four children, including Tom would sing and dance the afternoon away. 

So, after I talked with Tom, my daughter and I sat down and watched the DVD. It captures the band performing many of its hits live in 5.1 surround sound. The DVD also contains performances filmed during the band’s recently completed European tour. We were amazed at how vibrant the band could be, even though some of them look a little older – I am being kind, but it’s obvious, they are not slowing down. The performances were fantastic!

Also featured is a behind-the-scenes, but we didn’t look at that part of the DVD. But it contains the creation of Can’t Slow Down, from writing sessions in New York, Nashville, and Los Angeles to the Wal-Mart shareholders meeting where the exclusive partnership behind this project was finalized.

Popularity: unranked [?]

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Crooked X’s began as 14-year-olds in Coweta (population 7,000), highlighting how the four young boys started a band in a garage, scored music in the highly successful Rock Band, headlined the Fender/Rock Band Lounge at 2008’s Sundance Film Festival and opened for KISS in front of 35,000 screaming fans in Stockholm. These events led to Crooked X signing with EMI via McGhee Proffer Media (MPM) in August of 2008, all within the span of nine months.

The teenage quartet, comprised of Forrest French (vocals, guitar), Jesse Cooper (lead guitar, vocals), Josh McDowell (bass) and Boomer Simpson (drums), began playing in fifth grade, and cite influences including AC/DC, Pantera, Alice in Chains, Jimi Hendrix, Shinedown, Metallica, Audioslave and Pink Floyd.

Screenhead has 5 Crooked X albums to giveaway on Saturday, May 2, 2009. Post your name and we will pick the winners then.

Popularity: 1% [?]

Mellencamp’s New Album

“‘Life, Death, Love and Freedom’ is the new album from 2008 Rock and Roll Hall of Fame inductee John Mellencamp who, along with producer and collaborator T Bone Burnett, has recorded an exquisite, dark, rootsy album about loneliness, emotional pain, mortality, and compassion. – Vanity Fair

“Mellencamp teamed up with producer T Bone Burnett to create a whole new sound – a set of textured, atmospheric folk and country blues that adds up to one of the most compelling albums of Mellencamp’s career.” – ****4 Stars — Mark Kemp/Rolling Stone

With reviews like that you know, Mellencamp hits the hearts of country music fans.  Even though I am not a country music listener by nature, I did enjoy his songs on his new CD Life, Death, Love and Freedom.

Here’s John Mellencamp’s new single “My Sweet Love” from Life, Death, Love and Freedom in stores July 15th, 2008.

“My Sweet Love’

Popularity: 1% [?]

I listened to the Lindsay Lohan’s new single “Bossy” from her upcoming album due this fall. 

“Bossy” would be great song as part of a spinning class routine at your local gym – it’s rather irresistibly rhythmic.  Take a listen from YouTube and leave your comments.

 

 

Popularity: 1% [?]

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New Broadway cast recording of Roger & Hammerstein’s South Pacific is a CD you’ll want in your collection of show tunes because you may never make it to Broadway.  The music is spontaneously fun and uplifting.

The score includes such classics as Some Enchanted Evening, Younger Than Springtime, Bali Ha’i, There is Nothing’ Like a Dame and A Wonderful Guy.

Reportedly, South Pacific is about 20 minutes longer than the original Broadway version of 1949, which I find interesting and haven’t a clue why it is longer.

Please take a look at Amazon’s studio recording session of South Pacific.

Popularity: 1% [?]

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Sony BMG Masterworks proudly announces the upcoming release of the New Broadway Cast Recording of Rodgers & Hammerstein’s South Pacific.  The CD will be available nationwide on May 27, 2008.  This much-anticipated Lincoln Center Theater production of this treasured American musical directed by Bartlett Sher will have its Official Opening at the Vivian Beaumont Theater (150 West 65th Street) on Thursday, April 3.  Previews began March 1.  Produced by David Caddick and David Lai, the CD will be recorded on Monday, April 14 at New York’s Legacy Recording Studios (509 West 38th Street).  Rodgers & Hammerstein’s South Pacific premiered at Broadway’s Majestic Theatre on April 7, 1949 and enjoyed a five-year run winning countless awards including nine Tony Awards (among them, Best Musical) and the Pulitzer Prize for Drama.  Considered by many to be the finest musical ever written, the score includes such classics as Some Enchanted Evening, Younger Than Springtime, Bali Ha’i, There is Nothin’ Like A Dame and A Wonderful Guy.                                                  Rodgers & Hammerstein’s South Pacific features a cast of 40 headed by Kelli O’Hara as Nellie Forbush and Paulo Szot as Emile de Becque, with Matthew Morrison (Lt. Joe Cable), Danny Burstein (Luther Billis), Loretta Ables Sayre (Bloody Mary), Sean Cullen, Victor Hawks, Luka Kain, Lu Jun Li (Liat), Laurissa Romain, Skipp Sudduth, Noah Weisberg, Becca Ayers, Wendi Bergamini, Genson Blimline, Grady McLeod Bowman, Charlie Brady, Matt Caplan, Christian Carter, Helmar Augustus Cooper, Jeremy Davis, Margot de la Barre, Christian Delacroix, Laura Marie Duncan, Mike Evariste, Laura Griffith, Lisa Howard, MaryAnn Hu, Zachary James, Robert Lenzi, Garrett Long, Nick Mayo, George Merrick, William Michals, Kimber Monroe, Emily Morales, Darius Nichols, George Psomas, Andrew Samonsky and Jerold E. Solomon.  Mr. Szot appears in Rodgers & Hammerstein’s South Pacific with the permission of Actors Equity Association.   The production includes musical staging by Christopher Gattelli, sets by Michael Yeargan, costumes by Catherine Zuber, lighting by Donald Holder, sound by Scott Lehrer and a 30 piece orchestra conducted by musical director Ted Sperling performing the original 1949 orchestrations by Robert Russell Bennett and dance and incidental music arranged by Trude Rittmann.

Popularity: 1% [?]