Twelve of the 22 films are either French films or co-productions for the 40th Cannes Film Festival Directors’ Fortnight. There is also a good showing from Spain and Latin America, with five films, but the U.S. films count is way down to just the one, “The Pleasure of Being Robbed,” which closes the section, compared with five last year.
DIRECTORS’ FORTNIGHT
“Four Nights With Anna,” France-Poland, Jerzy Skolimowski (opener)
“The Pleasure of Being Robbed,” U.S., Josh Safdie (closer)
“Acne,” Uruguay-Spain-Argentina-Mexico, Federico Veiroj
“Aquele querido mes de agosto,” Portugal-France, Miguel Gomes
“Boogie,” Romania, Radu Muntean
“Les Bureaux de Dieu,” France, Claire Simon
“El Cant dels ocells,” Spain, Albert Serra
“De la guerre,” France, Bertrand Bonello
“Le Dernier Maquis,” France-Algeria, Rabah Ameur-Zaimeche
“Eldorado,” Belgium-France, Bouli Lanners
“Eleve libre,” Belgium-France, Joachim Lafosse
“Liverpool,” Argentina-France-Netherlands-Spain-Germany, Lisandro Alonso
“Monsieur Morimoto,” France, Nicola Sornaga
“Knitting,” China, Yin Lichuan
“Now Showing,” Philippines-France, Raya Martin
“Il Resto della notte,” Italy, Francesco Munzi
“Salamandra,” Argentina-France-Germany, Pablo Aguero
“Shultes,” Russia, Bakur Bakuradze
“Blind Loves,” Slovakia, Juraj Lehotsky
“Lonely Tune of Tehran,” Iran, Saman Salour
“Tony Manero,” Chile-Brazil, Pablo Larrain
“Le Voyage aux Pyrenees,” France, Jean-Marie Larrieu, Arnaud Larrieu
