For many people, this Summer is about seeing movies that try to outdo each other with computer generated special effects. For myself, I don’t think I will see anything more spectacular than Alice Taglioni as Elena in The Valet. I have to admit that when I saw the five foot, ten inch Taglioni striding up to the camera showing her long, long legs in a very mini, mini skirt, my critical abilities were temporarily put on hold.

This new French comedy is about a well-meaning valet, Francois, whose marriage proposal to struggling bookstore owner, Emilie, has been turned down. Accidentally photographed walking by a well-known model, Elena and a CEO, Pierre, Francois’ life turns upside down. Pierre’s wife sees the photo of her husband with his mistress, and Pierre explains that Francois is actually Elena’s boyfriend. Francois finds himself paid to pretend he is living with Elena. Suffice to say, things get more complicated after that for everyone in the film. The Valet ends happily for the deserving characters in less than an hour and a half.

The Valet is the newest film from writer-director Francis Veber. While some may not recognize his name, the Hollywood remakes of his screenplays include The Birdcage, Pure Luck and The Man with One Red Shoe. Usually Veber’s films are about an amiable loser who finds himself in an unusual situation, over his head, but finally turning tables on the person trying to take advantage of him. In addition to the comedy of errors, are sight gags. Veber also has a running gag involving a cell phone with a ring tone of the French national anthem.

As the valet of the title, Gad Elmaleh looks and acts something like a Gallic Steve Carell. The cast also includes Daniel Auteiul as the CEO and Kristen Scott Thomas as his wife. One of my favorite French actresses, Virginie Ledoyen, portrays the young woman who is forced to look again at Francois when she sees him with Elena. Getting laughs is Dany Boon, as Francois’ co-worker, friend and former room mate, forced to live with his drunk mother so that Francois and Elena can pretend to live together. The Valet may not have belly laughs but it should bring a smile, some grins, some giggles and a few chuckles. And unlike too many overlong, unfunny would be comedies, The Valet never outlasts its welcome.

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Legends in their own right, silver-screen veterans Robert DeNiro and Al Pacino are teaming up to star in the indie flick Righteous Kill from Nu Image’s Millennium Films and Emmett Furla Films. The annoucement was made on Thursday at the Cannes Film Festival, and this marks only the third time that the two stars have been in the same film, and only the second time they’ve actually appeared together.

The first time DeNiro and Pacino appeared together was in the movie Heat. However, their time together was quite brief, filming just two scenes together. In Godfather II their characters never met. But in Righteous Kill, they’ll be together for the entire course of the film.

One of the movie’s producer, Randall Emmett, said that the movie was actually set in motion by the two actors, who are also friends. Co-producer Avi Lerner believes it to be a film event of historic proportions: “This is an event in world history. They were in two scenes in Heat. In this movie, they are in the whole thing together.”

Righteous Kill was written by Russel Gewirtz, who wrote last year’s hit film Inside Man. The film reportedly has a budget of $60 million, and casting for other roles is currently underway.

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Love movies? Check out these links to other cool stories for entertainment-minded people.

• Samsung SE-T084 DVD Writer
• PSP Redesign and Video Download Service Confirmed?
• iPhone Gets FCC Approval!
• A cool video/audio watch
• Pioneer LX0 New home cinema system

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HBO has assembled a cast for one of their upcoming new shows, The Anatomy of Hope. The program explores cancer battles from the perspectives of patients.

Chris Messina (HBO’s “Six Feet Under”) will play an oncologist who switches between being overly friendly and somewhat aloof, and Simon Callow (”The Phantom of the Opera”) will play one of the top oncologists in the U.S. Valerie Pettiford (UPN’s “Half & Half”) is set to play a terminally ill cancer patient, and John Ortiz will play a recent cancer survivor. Matt Craven (Distrubia) plays a guy who might have prostate cancer, and Daryl Edwards (Rent) plays a patient with advanced cancer.

J.J. Abrams’ medical pilot drama will also star Diego Klattenhoff who plays a recently engaged man with bone cancer, and Kerry Condon (HBO’s Rome) will star as his fiancee. Other doctors in the show include Sarah Knowlton who plays a nurse in the chemo ward, and Deepti Daryanani as a beautiful young doctor.

No word on when this will debut, but it looks like they’re almost ready for filming having finally put together a cast.

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Coming to DVD on June 5th is the classic Mr. Magoo Show, the loveable character who’s bumbled his way into good fortune for over 60 years. His misadventures and stubborn self-confidence have entertained generations, and for the first time the complete television series will be available on DVD.

The set features 26 full shows with 130 vintage Mr. Magoo cartoons, all on 4 discs. Each of the DVDs in the set also includes a vintage `963 reprint comic book. Father’s Day is just around the corner, and this might be a great little gift to give. The set goes on sale June 5th for an MSRP of $26.95.

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DotComedy has just launched Steve Almightly, featuring a new Steve Carell clip each weekday until his movie, Evan Almighty, debuts at theaters June 27th. Steve Almighty features outtakes from The Office, the 40-Year-Old Virgin, and clips from his Saturday Night Live appearances. Also premiering tonight is an exclusive first look at Evan Almighty, being shown tonight right after The Office season finale.

DotComedy is NBC Universal’s online broadband channel devoted exclusively to comedy. It features a large selection of original video series and shorts, as well unparalled access to NBC’s late night comedy programming. You might be familiar with DotComedy as the home of viral video hit “The Easter Bunny Hates You.”

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It will probably be several years before Waitress can be viewed without anyone thinking about the murder of writer-director Adrienne Shelley. At the risk of sounding mean-spirited, while there are things about Waitress that I liked, there were also aspects of the film that did not work for me, raising the question that Shelley’s film may have benefitted from attention it might not have received otherwise. The fairy tale ending with the waitresses in bright, candy colored uniforms brought a smile to me, but getting there meant ploughing through an hour and a half of cliched indie filmmaking.

Waitress takes place in a small Southern town where it seems that people are unhappily married, or just unhappy. Jenna, a waitress famous for her pies, finds herself pregnant by the husband she no longer loves, and has an affair with an equally young, equally married, doctor. While the film has some truths about people finding themselves in unfulfilling relationships, or ambivalence about impending parenthood, Shelley undermines her ideas with the kinds of characters you only see in movies.

The southern accents used by the three waitresses played by Kerri Russell, Cheryl Hines and Shelley are a bit too broad. If you’ve seen one or two movies, you can guess well in advance who Hines is having her secret affair with. Shelley is suppose to be unable to attract any but the most deperate of suitors. Andy Griffith, the curmudgeonly owner of the diner, plays a variation of his well known television persona. Very briefly there are glimpses of the sometimes nasty Lonesome Rhodes that Griffith portrayed in A Face in the Crowd fifty years ago.

When Hines tells Russell that she should open a pie shop where one is needed, “in Europe or New Jersey”, it’s the kind of line that might get a chuckle, but it’s the kind of dialogue that to obviously comes from a screenwriter. More successful are Russell’s inner monologues where she names and describes the various pies she invents like Marshmallow Mermaid Pie and Naughty Pumpkin Pie. The sexual symbolism of pie is actually handled with a degree of wit. Waitress was Adrienne Shelley’s third feature as a writer-director, and the only film to have received wide theatrical distribution. Whatever weaknesses the film may have, the last ten minutes of Waitress provide a perfect, if unintended, farewell to a promising filmmaker.

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Lionsgate has just revealed that they’ve acquired domestic and UK distribution rights to The Spirit, a live adaptation of the classic Will Eisner comic book series. The script was written by Frank Miller, who will also direct the production. This deal marks the beginning of a multi-film pact under which Lionsgate and Odd Lot Entertainment will co-finance and co-produce together.

The Spirit tells the tale of a man who fakes his own death in order to fight crime from the murky shadows of Central City. His nemesis is a character known as the Octopus, who kills those unlucky enough to see his face. Octopus is looking to wipe out the entire city, and it’s up to the Spirit to save everyone.

The Spirit will be Frank Miller’s first solo directing effort, having first gotten behind the camera to co-direct Sin City with Robert Rodriguez. Miller also created the graphic novels that were eventually adapted into the films Sin City and 300. The product start of The Spirit will be directly influenced by the start date of the Sin City sequel that Miller is scheduled to make with Rodriguez.

If Miller’s past screen efforts are any indication, The Spirit will be a can’t miss feature film.

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Based on the best-selling children’s book, Arthur and the Invisibles stars young actor Freddie Highmore (Charlie And The Chocolate Factory, Finding Neverland) and Hollywood legend Mia Farrow (The Omen, Hannah and Her Sisters) and is written and directed by renowned filmmaker Luc Besson. This inspiring and fun-filled adventure is brought to life on the screen using a combination of live action and groundbreaking 3D-CG animation.

Madonna, David Bowie, Snoop Dogg, Robert De Niro, Jimmy Fallon, Harvey Keitel, Emilio Estevez, and many other stars lend their voices to the magical story about a young boy’s journey to save his grandfather’s house from demolition. The film is rated PG for fantasy action and brief suggestive material.

Screenhead is giving away ONE copy of this awesome DVD. To enter the random drawing, send an email to info@screenhead.com with the subject “Arthur & the Invisibles” in the subject line. In the email, include your name and city/state. To be eligible to win, you must live in the US or Canada.

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Ireland: we are a small nation, but a proud one. We’ve produced a lot of great art over the decades, with the possible exception of the realm of music, where Bono’s gigantic head has obscured any past achievements. Film too is a difficult medium to excel in with such little funds available, but that hasn’t stopped us from trying. The micro-budget film Once is an indie-rock musical set in Dublin, has made an impact on the crowds at this year’s Sundance festival, winning one of its many awards. It has received rave reviews in Ireland, but as it sets out for a limited release in the USA, does it live up to its expectations?

The plot is rather thin, but it goes something like this: Boy busks on street, singing songs about failed relationship. (Foreign) Girl likes music, ends up playing songs about failed relationships along with Boy. Boy and Girl gather money to record music, wowing those around them with their sweet sounds. Both Boy and Girl are hung-up on failed relationships, unsure of whether to get together. Read on »

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It seems almost natural to think of Walt Disney and pirates. Well before there was even a “Pirates of the Caribbean” ride, or even a Disneyland, Walt Disney produced his version of Treasure Island. The film is something of a classic, having more than any other film, provided the template for what makes a great pirate movie. Treasure Island also carries the distinction of being Walt Disney’s first totally dramatic feature, with no animated sequences.

Unlike the more recent pirate films, Treasure Island runs an efficient ninety-six minutes. Most people are familiar enough with the basic story that it is not needed for me to rehash the plot. For those of you who somehow missed one of the thirty or so versions or variations of the story by Robert Louis Stevenson, it’s about a young man who gets a coveted map of buried treasure. Pirate Long John Silver conives his way to be part of the crew in this tale of alliances, double crosses, and loyalty. Made in 1950, the film may strike some as surprisingly violent for family entertainment - there’s lots of rum drinking, shooting, some blood, and young Jim Hawkins gets knifed in his arm. There may not be the elaborate sequences as in the Pirates of the Caribbean and the sequels, but film fans should be interested in seeing the film that essentially set the bar for the genre.

The story of the talent for Treasure Island is equally dramatic. The movie was directed by Byron Haskin, a veteran filmmaker who started out in the silent era. Haskin hit his stride in the Fifties, and may be most famous directing War of the Worlds, the version that inspired Steven Spielberg’s own recent take. The cinematography for Treasure Island was done by Freddie Young who would peak with his work on Lawrence of Arabia. Robert Newton made the role of Long John Silver his own, starring in a non-Disney sequel titled Long John Silver and a television series of the same name. Newton also starred in Blackbeard, the Pirate. Whenever you hear some talking like a pirate, they’re imitating Newton whether they no it or not. Little Bobby Driscoll was twelve when he played Jim Hawkins. He was a popular child actor during the late Forties and early Fifties, but his career went downhill when Disney discontinued using him. The story is that getting into his teen years, Driscoll had extremely bad acne. Driscoll’s complexion problems weren’t enough to keep him from working on television, then only in black and white. Still making enough money to live comfortably, Driscoll developed a heroin habit at age 17, and died a homeless drug addict at age 31.

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Two acclaimed martial arts films - Above the Law and Shanghai Express - will be released on the Dragon Dynasty label as Special Collector’s Editions on May 29th. Both films spotlight legendary martial arts stars, and are packed with great new bonus features, including expert commentary, trailers, deleted scenes, talent interviews, and more.

Shanghai Express is an action-packed caper following a band of unlikely heroes who team up to protect their hometown from ruthless bandits. Before the Hollywood-produced Shanghai Noon, out of Hong Kong came Shanghai Express, an adventurous film where the Far East meets The Old West. Starring in the film are Sammo Hung (Kill Zone), Cythia Rothrock (Above the Law), and Yuen Biao (Once Upon a Time in China).

Above the Law is a film by Corey Yuen (The Transporter), featuring full-on contact martial arts action, death defying stunts, and thrilling, hi-octane car chances. From the start to the beginning, Above the Law delivers non-stop excitement when a corrupt judicial system frees the crime bosses who killed an innocent family, and renegade prosecutor (Yuen Biao) takes justice into his own hands.

Both DVDs will be available for purchase through retail outlets beginning May 29th. If you’re a fan of martial arts flicks, then these are must-have additions to your DVD collection. The special edition features themselves are a treat.

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Congratulations to Lesha of Indiana, the latest screenhead contest winner. She’s getting the not-yet-released DVD, Avatar: The Last Airbender - Book 2: Earth, Volume 3. Brought to us by Nickelodeon Home Entertainment, this DVD is the latest in the series, and features Chapters 11 through 15. Other special features included on the DVD are a free exclusive Avatar comic book, and commentaries by the creators, cast and crew. It will be available at retail outlets beginning May 22nd.

Stay tuned for more upcoming Screenhead contests and giveaways!

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Good news. Guy Ritchie, the talented director who Madonna stole from us the past few years, is working on a new film. His latest sounds very promising too. He is set write, produce and direct the gangster laden ‘RockN’Rolla’. Filming is suppose to take place later this summer.

Since Ritchie’s two excellent cult films ‘Lock, Stock and Two Smoking Barrels’ and ‘Snatch’ he seems to be under the Material Girls thumbs. Hopefully, with this re-emergence, it means that Ritchie is set to make a comeback. He is too talented of a director to be out of the fray at such a young age (38). One tip for you Guy, please don’t cast your wife in any role in the latest film. She has a knack of ruining anything she touches in the Cinema (you probably remember that from ‘Swept Away’).

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James Toback is set to do a documentary on the life of Mike Tysons, and has compiled dozens of interviews from the troubled ex-Heavyweight Champion boxer. He told Variety, “The point is not to polish his image or make a cinematic apology, but rather to get a firsthand look at a very complex and epic story”.

Toback has said that he has been intrigued with Tyson since his rise to fame in 1985, when ‘Iron’ Mike became the youngest boxing champion in the sports history. He says that Tyson was candid and open in the series of Interviews stating, “He was honest about all the things that have highlighted his life, from the bitter divorce, the ear-biting, prison, to his becoming a sex addict. He is self-aware, smart and a totally fractured personality, and he made himself completely vulnerable.”

The documentary is set to be finished in the Fall and sold for worldwide distribution to the highest bidder. This is not the first time that Toback and Tyson have worked together, as Toback screened the boxing champ in his 1999 film ‘Black and White’, which was met with much controversy upon its release.

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It was headed to the Cannels Film Festival for its world premiere showing, but “Last Looks” was stopped by French Customs and may not see the light of day, at least not at Cannes. Officials have quarantined a 35mm print of the controversial film, which director Nick Browns labels a “a disguised act of censorship”. Brown believes that the public should have the chance to view the film for themselves before it is condemned.

The film apparently shows the actual deaths of actors and behind-the-camera crew members during the production of “The Evil Eye”, a low budget American indie horror flick that was filmed in the summer of 2006 among the Turkish and Greek Islands in the Mediterranean. The filming of this film was apparently plagued from the start. According to local newspapers, the crew, who was filming on a ship, docked July 3, 2006 at the port of Faliraki in order to seek medical help for one of the film’s actresses, Malaysian born Ying-Yu Tan. She later died of unnamed injuries. But that wasn’t the end of the deaths. Director Zack Freedman, cinematographer Scott Maher, and soundman Ryan Denmark (all of the US), were killed when their boat blew up during a staged explosion at see. This is when filming of the movie finally stopped. It was also reported that French actress Verane Pick was killed during the filming of a stunt scene involving a prop knife that turned out to be a real one.
Read on »

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Paris Hilton and Nicole Ritchie are gearing up for the premiere of the latest season of “The Simple Life”, which kicks off at 10 PM ET/PT on May 28th, exclusively on E! This year, the on-again friends head off to camp where they’ll serve as counselors at Camp Shawnee in the rough wildness setting of the Southern California mountains. Imagine these two pampered princesses coping without the Hilton Hotel at their disposal, roughing it in the woods, all while serving as camp counselors to a bunch of kids!

In the opening episode, Paris and Nicole are charged with leading a group of campers who want to become more health-conscious at a Wellness Camp run by fitness queen Susan Powter. All the junk food in camp is seized and placed under lock and key as campers learn the value and benefits of eating healthy, exercise, yoga, and nutrition. Of course this won’t stop the terrible two-some from sneaking treats from the locked fridge and giving them to the campers…

If you want to find out what else happens, you’ll just have to check out the premiere episode airing soon. This season, like the others, is sure to be good for a few laughs, especially as the two girls move from camp to camp. They’ll work at the Wellness Camp, Drama Camp, Pageant Camp, and even Survival Camp.

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Kirk Douglas, the legendary silver screen icon who is now a very young 90 years old, was the special guest at his own “Kirk Douglas Theater” where he was interviewed by comic Dennis Miller. The event marked the first time he was at the theater that bears his own name. The event was to spotlight “Lets Face It: 90 years of living, loving, and learning” his latest memoir.

Douglas, of course, starred such films as Spartacus, Lust for Life, and The Bad and the Beautiful and is the father of Michael Douglas.

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To paraphrase Cartman: I saw Knocked Up. Who wants to touch me?

I’ll spare you the suspense: It’s fantastic. At the risk of sounding like a quote whore, I laughed the entire way through the film. Yes, it’s probably too long, and the film’s climax (ahem…) never quite achieves lift off, but who’s going to think about that stuff when they’re too busy laughing?

The title pretty much tells you everything you need to know: One-night stand leads to baby. Which could accurately describe the Matthew Perry/Salma Hayek trifle Fools Rush In, only Knocked Up director/writer Judd Apatow wisely ditches the mixed races thing and instead looks at a couple who could be more accurately summed up as mixed hotness. Seth Rogen plays Ben, AKA “the Knockee”, a roly-poly stoner whose sole aspiration appears to be the comprehensive cataloging of actress nude scenes. Heigl’s character Alison (AKA “the Knocked”) is the kind of girl who could probably have her pick of men, but winds up stuck with Ben. Read on »

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Away from Her stands in marked contrast to the summer blockbusters currently playing or about to open. The film is quiet, thoughtful and is rooted in reality. Although the subject matter of someone with Alzheimer’s is serious, the film is not grim. While there is humor, there are no cheap laughs nor easy sentimentality.

Grant and Fiona are a mature couple who have been together for forty-four years. Fiona has moments indicating momentary loss of her cognitive abilities. As that loss becomes more marked, the couple face the difficult choice of placing Fiona in a special care facility. During a dinner with another couple, Fiona mentions that she sees herself disappearing. Grant finds himself unmoored when the increasingly impaired Fiona develops a dependent relationship on another patient, Aubrey.

Sarah Polley’s film is about memory. Away from Her is punctuated at the beginning and end with Grant’s image of Fiona when they met. While acclaim for the film has rightly centered on Julie Christie as Fiona, Gordon Pinsent is masterful as Grant, the husband who discovers things about himself as he gradually loses his wife. Adapted from a story by Alice Munro, Polley wrote the screenplay with Christie in mind. It is not surprising that Polley would see Christie as a role model, as an actress Polley has primarily chosen film roles based on the quality of the work or the reputation of the director, much as Christie has done. Atom Egoyan, who directed Polley in The Sweet Hereafter, served as Executive Producer on the film. That Polley’s feature debut bears some resemblance in style and theme to Egoyan’s is not surprising.

Julie Christie remains a magisterial screen presence. Even when she is silent, one can still sense the acting of a woman who is aware that she has forgotten much of her life. That sense of emotional isolation is reinforced by the settings in snowy, rural Ontario. The twenty-eight year old Polley choosing to make a film about older people immediately places her in a different plane from her peers who often seem desperate to display increasingly manufactured concepts of trendiness. Away from Her will primarily appeal to an adult audience, and those who appreciate a film that engages the brain as well as they eye.

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I was excited to read that a group of European investors has plans to revive Hammer Films, the venerable British studio that was famous for their horror films in the Fifties through the early Seventies. The plan is to make films both for theaters and television. Included in this deal is ownership of Hammer’s 295 film library. The initial plan is to make new films under the Hammer label. There may be remakes of classic titles although that is dependent on clearing rights with various studios. Hammer’s films were distributed through several different companies such as Universal, 20th Century Fox, and Warner Brothers. The investors feel certain that the Hammer name will attract top talent interested in making horror films.

For those who are less familiar with Hammer, the studio first came into existence in 1949. Hammer stopped producing new features in the mid-Seventies. After beginning with series of low budget crime and science fiction films, the struck gold by remaking some of the Universal horror films of the Thirties. While Curse of Frankenstein did well, it was Horror of Dracula that boosted Hammer’s worldwide popularity. Hammer films were noted for starring classically trained British actors like Peter Cushing and Christopher Lee, and add a few bosomy women showing just enough cleavage to thrill teenage boys of all ages. While for most of the audience it was enough that Dracula, Frankenstein and the others were now in color, what critics noticed was the visual creativity of directors such as Terence Fisher. Many of the most popular Hammer films are on DVD, delighting both old fans and new.

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We’ve got another Screenhead exclusive contest! This time we’re giving away one copy of the Avatar: The Last Airbender (Book 2, Volume #) DVD. This is your chance to snag a copy before it’s released on May 22nd.

Avatar: The Last Airbender features not only Chapters 11 through 15, but also includes commentaries by the creators, cast, and crew, as well as a free exclusive Avatar comic book.

In this edition of Avatar, the kids visit a Library buried deep in the sand where they learn of an important vulnerability in the Fire Nation. Now, they must make it to the city of Ba Sing Se in time to tell the King. But Azula and the Fire Nation are already on the move, and it’s up to the Avatar and friends to stop them from conquering this ancient city.

If you’re an anime fan, or just want to pick it up for your kids, make sure to send us an email at info@screenhead.com with your name and city/state, and “Avatar DVD” in the subject line. You must reside in the US or Canada to be eligible to win. Entries must be received by May 14th, and the winner will be randomly picked in a drawing to be announced on May 15th.

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Jeniffer Lopez told MTV news her new movie “Bordertown” will hit theaters on August 31st. Here is what she told MTV about her latest gig on the silver screen:

“We tried to make it an interesting film, for people to wanna go see it, but at the same time, really focused on (letting) people know that (factory workers are being murdered in Mexico),”

Lopez plays an investigative reporter looking to solve similar murders of young factory workers in Mexico. Lopez will star alongside Antonio Banderas in the film

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Michael Moore is in trouble with the Federal Government for
traveling to Cuba along with 10 workers from Ground Zero who are in ill health. Moore filmed part of his upcoming movie “Sicko” a scathing attack on the United States Health Care System.”This office has no record that a specific licence was issued authorising you to engage in travel-related transactions involving Cuba,” a letter written by Dale Thompson, senior investigator with the Office of Foreign Assets Control.

This is Moore’s first film since his anti-Bush documentary was the surprise hit of 2004 grossing over 100 Million. It should come as no surprise that the filmmaker is now under the watchful eye of the Bush’s and will be interesting to see how this one plays out.

“Sicko” will premiere May 19 at the Cannes Film Festival and hits US theatres on June 29.

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Hitting theaters in both Los Angeles and New York on May 11th, Provoked is a hard-hitting drama based on the real-life story of Kiranjit Ahluwalia, a Punjabi woman living in England who set fire to her abusive husband, Deepak (Naveen Andrews).

The film starts off with a bang, which immediately captured my interest. Kiran (played by Aishwarya Rai) creeps into her husband’s room while he is sound asleep, and instead of crawling into bed and snuggling up with him, she douses him in gas and throws a lit candle onto the bed. Deepak immediately jumps up and runs down the stairs and out the front door onto the lawn, where he begins quivering and screaming in pain as he burns on the ground.

Read on »

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